Bruno Latour’s Actor-Network Theory (ANT) and his critical examination of modernity and science have garnered widespread acclaim. ANT provides a framework for scrutinizing the intricate web of connections between human and non-human actors, including technologies, institutions, and abstract concepts, all of which contribute to shaping social phenomena. Latour’s approach underscores the importance of treating all actors symmetrically, rejecting the traditional hierarchical favoring of human agency over non-human agency.
In our project, we’ve embraced a similar ideology, drawing inspiration from the analog approach pioneered by Hofman’s hand-drawn illustrations. Our experimentation with analog design techniques through the medium of ink drawing led to the transformation of the analog to the essential hatches that now play a pivotal role in our project.
As we developed our elevation and plan, we delved deeper into the concept of interconnected ecosystems, akin to Latour’s Actor-Network Theory. Each layer of our design represents a distinct ecosystem, interlinked seamlessly. Central to our vision is the grid, serving as both a structural element and a symbol of programmatic organization.
